The Howling Tickets

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The Howling is MED Theatre’s new community play for 2017, a contemporary take on The Hound of the Baskervilles focusing on themes of human habitation and re-wilding. You can purchase tickets on this site (below). These tickets will be left on the door for you, unless you request them to be sent.

To add a ticket to your shopping cart, select ‘Adult’,  or ‘Child’ from the drop down menu below and click ‘Add to Cart’. You will then be redirected to your Paypal shopping cart (where you can use Paypal or a major card). To add more tickets to your cart, click ‘Continue Shopping’ on the Paypal page and select a new ticket from the drop down menu as before. When you are ready to purchase your tickets, click ‘Check Out’ from your cart. Please remember to write the date and venue of the performance you would like to book in the box below.

Friday 10th March: Manaton Parish Hall
Saturday 11th March: Manaton Parish Hall
Tuesday 14th March: Southpark Community Centre, Buckfast
Thursday 16th March: Nicholls Hall, Lydford
Friday 17th March: Moretonhampstead Parish Hall
Saturday 18th March: Moretonhampstead Parish Hall

All performances begin at 7:30pm
Tickets £8 / £5 children under 16


Ticket Prices
Date and venue



For more information about the project please visit the following pages:

Link to The Howling page

Link to The Hound of the Baskervilles and The Last Wolf project page

The Walk Music

The Walk Music, composed by Gillian Webster, singer soloist Clare Lash-Williams, percussion and vocals Gillian Webster, violin and vocals Amelia Young

Some young woman

 

Dartmoor theme

 

Storm and non-recognition (from live performance)

 

Walking

 

Watermusic

 

Buttercup dance

 

Bright upsurge

 

Meadowsweet

 

Snow-dance

 

Tin wind

 

Forgiveness melts

 

Dewar dance

 

Fire

 

Windy sea-dance

 

To recall the wave

 

Surface tension

 

Snake

 

The pond

 

Dartmoor theme: violin

 

Running

 

Hope

 

In trepidation

 

Elegy

 

Print

 

The Walk Music accompanied The Walk Dance Drama

The Walk Project

Wolf Whispers Radio Play

Hearsay plays a huge part in our lives and has done so down the ages. The story of how ‘The Hound of the Baskervilles’ came to be written is no exception. In the background lies the folk memory of the wolves that roamed Dartmoor only a few hundred years ago.

Wolf Whispers audio file

Special thanks to Paula Clarke, Sheila Danehurst, Bryher Mason, Dr Tom Greeves, Kirsty Peake, Dr Kevin Cox, Mark Norman, Trefor Farrow, Trever Cronin and Phoebe Moore

Wolf Whispers

The Hound of the Baskervilles and the Last Wolf on Dartmoor

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Hearsay plays a huge part in our lives and has done so down the ages. The story of how ‘The Hound of the Baskervilles’ came to be written is no exception. In the background lies the folk memory of the wolves that roamed Dartmoor only a few hundred years ago.

Wolf Whispers audio file

Wolf Whispers script

‘Wolf Whispers is written’ and acted by MED Theatre’s young company members, aged 13-19. The radio play is part of MED Theatre’s exciting eighteen-month project ‘The Hound of the Baskervilles and the Last Wolf on Dartmoor‘ supported by a grant from the Heritage Lottery Fund.

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The story explores murderous controversies surrounding the writing of ‘The Hound of the Baskervilles’, ostensibly by Arthur Conan Doyle, and travels back to times when wolves still roamed Dartmoor and the reputation of a seventeenth century vampire Richard Cabell terrified the people of Buckfastleigh. The ambitious play is the outcome of the young people’s research, which they have carried out with the help of MED Theatre’s facilitators through most of 2016. It was recorded on location at the National Trust’s Castle Drogo for its atmospheric acoustics and authentic outdoor Dartmoor sounds. Music has also been composed specifically for this play by this talented youth group.

‘Wolf Whispers’ was broadcast on Soundart Radio at 1.00pm on Sunday November 20th, and is now available as a YouTube file, as an audio file, and in script form on this page. 

Special thanks to Paula Clarke, Sheila Danehurst, Bryher Mason, Dr Tom Greeves, Kirsty Peake, Dr Kevin Cox, Mark Norman, Trefor Farrow, Trever Cronin and Phoebe Moore

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Forest Whispers (2012)

Forest Whispers was a musical performance held to mark the culmination img_0073 img_0076of a series of workshops for young people held by Gillian Webster. The musical interludes were composed and played by the young participants of the workshops.

Dartfest (2008)

‘Dartfest 2008’ was an evening festival of plays written by young people in the Dartmoor area. The two plays on the bill were: Deceased Truth written by the entire cast and Shakespeare on Dartmoor written by Amelia Young, Tara Boyland and Clare Hellyer. The former was a tale about jealousy and ignorance and how this combination, when mixed with disease, holds the power to destroy a family. This play was set in Victorian times when diseased people, suspected to be vampires were not uncommon…

Shakespeare on Dartmoor follows William Shakespeare as he leaves his wife and children to take his company to Dartmoor. The company is made up of girls (unknown to Shakespeare) and they are taken to the home of Sir Francis Drake in Buckland Abbey. The play is a fantasy based on a rumour that Shakespeare once visited Devon. img_4127

Shakespeare on Dartmoor (2008)

Shakespeare on Dartmoor, based on an original idea by Amelia Young, Tara Boyland and Clare Hellyer, was first produced as part of ‘Dartfest 2007’, but was also performed at Killerton after an invitation by the National Trust as part of a youth project. Later it was included in the programme for MED Theatre’s  ‘Dartfest 2008’. Based on the legend that William Shakespeare once came on tour to Devon, the story follows William Shakespeare as he leaves his wife and children to take his company of girls (that he believes to be boys) to Buckland Abbey on Dartmoor, the home of Sir Francis Drake.img_0029 img_0053

Roots Network (2008)

Roots Network was a documentary film about the early days of Wild Nights Young Company (MED Theatre’s Young Company) set up in 2004. It was funded by a grant from the Dartmoor Sustainable Development Fund and featured the young company’s  first plays and projects and how they took shape. It included extracts from their original shows Roots (http://www.medtheatre.co.uk/roots-2005-draft/) and Loricum (http://www.medtheatre.co.uk/?s=loricum&submit=Search ). It also featured their award-winning film Lost Roots (http://www.medtheatre.co.uk/lost-roots/).

Dartfest (2007)

Dartfest was a compilation of a series of plays written by young people. These shows were: Ghost Girl by Sarah Stewart- Watson, Now and Then by Flo Wood and Alice Sutherland, The Tomb by Matthew Holding, Human Boundaries by Evie Faulkner, Mollie Milward- Nicholls and Meggan Geddes, Red Flag by David Stewart-Watson, Eyot by Heather Holcroft-Pinn, The Memory by Teresa Hellyer, Josie Garland and Lily Fell and finally Shakespeare on Dartmoor by Amy Young, Tara Boyland and Clare Hellyer.

The festival took place over 2 days and the playwrights were aged between 12 and 17. img_2381img_2340

Logan Rock Plays (2006)

The Logan Rock, by Heather Holcroft-Pinn, follows a girl named Kitty who holds a special bond with The Logan Rock. When the rock falls, Kitty also falls into despair… The play included musical, dramatic and dance based pieces.

Other work from this series included The Fire Dancers by Samantha Truckle; Untitled by Matthew Holding; a dance piece, Dream, choreographed by Alice Geddes, Sarah Sweatman and Emily Wyse; and also The Dove and The Spring by Teresa Hellyer and Lilly Fell.

The Logan Rock (and Other Plays) was the culmination of a creative project funded by the Local Network Fund. Workshops were held throughout the preceding year and included Playwriting led by Mark Beeson, Drama by Mark Beeson, Music by Gerard McBurney (of Complicite) and Gillian Webster, Dance by Rosalyn Maynard and Video by Amanda Brown.